Description: Preface. Part I. MEDIEVAL AND RENAISSANCE MUSIC. Introduction. Examples of Plainchant. Anonymous. Guillaume de Machaut. Guillaume Dufay. Josquin Desprez. Giovanni Pierluigi da Palestrina. Roland de Lassus. Tomas Luis de Victoria. Carlo Gesualdo. John Dowland. Examples of Stock Basses. Part II. BAROQUE COMPOSITIONS. Introduction. Claudio Monteverdi. Arcangelo Corelli. Henry Purcell. Francois Couperin. Notebook for Anna Magdalena Bach. George Frideric Handel. Johann Sebastican Bach. Domenico Scarlatti. Part III. CLASSICAL COMPOSITIONS. Introduction. Carl Philipp Emanuel Bach. Joseph Haydn. Muzio Clementi. Wolfgang Amadeus Mozart. Ludwig van Beethoven. Part IV. ROMANTIC COMPOSITIONS. Introduction. Franz Schubert. Felix Mendelssohn. Robert Schumann. Frederic Chopin. Richard Wagner. Joannes Brahms. Modest Mussorgsky. Gabriel Faure. Hugo Wolf. Gustav Mahler. Part V. MODERN COMPOSITIONS. Introduction. Claude Debussy. Arnold Schoenberg. Charles Ive. Maurice Ravel. Bela Bartok. Igor Stravinsky. Anton Webern. Alban Berg. Paul Hindemith. Henry Cowell. Ernst Krenek. Aaron Copland. Ruth Crawford (Seeger). Luigi Dallapiccola. Elliott Carter. William Schuman. John Cage. Benjamin Britten. Milton Babbitt. George Crumb. Terry Riley. Bruce Saylor. Appendix A: Two Jazz Forms: Blues and Rhythm Changes. Appendix B: Chorale Harmonizations. A Note on the Sources. Two Lists for Teachers of Theory and Musicianship. Index I: General Index. Index II: Index of Chords, Sequences, and Modulations.

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