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Cassette Culture Popular Music and Technology I North India cover
  • ISBN: 9780226504018
  • ISBN10: 0226504018

Cassette Culture Popular Music and Technology I North India

by Peter Manuel

  • Binding: Paperback
  • Publisher: Univ of Chicago Pr
  • Publish date: 04/01/1993
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Preface Motivations and Predispositions Scope and Orientation Methodology Transliteration Acknowledgments 1. Introduction: Theoretical Perspectives Cassettes and the New Media Technologies Cassette Technology and the "Democratic-Participant" Media Theoretical Approaches: Ethnomusicology and Media Theory Control of the Media Media Content Reception Theory: Effects and Audience Interpretations of Media Content Base and Superstructure in an Integrated Cultural Materialism Conclusions 2. The Impact of Cassettes on the International Recording Industry Contrasting Patterns of Development The International Impact of Cassette Technology Cassette Piracy The Emergence of Legitimate Cassette Industries 3. The Music Industry and Film Culture up to 1975 The Growth of the Indian Record Industry Radio Film Music and Film Culture Film Music: Context and Content The Impact of Film Music on Folk Music Conclusions 4. The Advent of Cassettes: New Alternatives to His Master's Voice Cassettes come to India Cassette Producers Financial and Technological Aspects of the Cassette Industry Promotion and Publicity Music-Industry Organizations Piracy Compact Discs 5. Cassettes and the ModernGhazal The TraditionalGhazal The Rise and Fall of the FilmGhazal The ModernGhazal "Pop" Goes theGhazal Conclusions 6. Devotional Music Music andBhaktiin Hindu Culture Devotional Music and the Mass Media Ghazal, Cassettes, and the Emergence of the PopBhajan The Mainstream PopBhajan: Aesthetics, Ethos, and Commercialism "Great" and "Little Traditions" in Commercial Devotional Music Production and Marketing of Devotional Music Muslim Devotional Music Cassettes and Live Performance Conclusions 7. The Politics of Parody: Tune-Borrowing in Popular and Folk Music Parody in Hindustani Music Parody in Folk Music "Versions": Recycling the Classics Copyright Conclusions 8. Regional Musics Social Identity and Regional Syncretic Musics Cassettes and Diversification: Region, Language, and Genre Cassettes and Class Expression Gender The Impact of Commodification Song Texts in Regional Cassette-Based Music Cassettes and Lewd Regional Songs Cassettes and Live Performance Regional Cassette Musics Conclusions 9. Rasiya:A Case Study in Commercialization Braj Culture andRasiya Song Texts in Secular FolkRasiya Gender Representation inRasiya Rasiyaand Socioeconomic Modernization Rasiyaand Mass Culture Film Parodies and HathrasiRasiya The Advent of Cassettes Cassettes and the "Little Tradition" ofRasiya Bhakti SecularRasiyaCassettes Song Texts in CommercialRasiya Disparaging Perspectives M. H. Zaidi, Rasiya Producer Singer-Poet Sevaram "Tanatan" Sharma Conclusions 10. Cassettes and Sociopolitical Movements Jagori: Cassettes and Women's Liberation Regional Movements in Eastern Bihar Cassettes and the 1989 Elections Regional and Sectarian Movements Cassettes and the Contemporary Hindu-Muslim Conflict 11. Conclusions: A Micro-Medium in Macro-Perspective Notes Glossary of Indian-Language Terms Bibliography Some Recent Parodies in Film Music Index
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