Drawings
- Binding: Paperback
- Publisher: University of Washington Press
- Publish date: 02/01/2004
Harris's drawings may look like paintings but there is rarely any involvement with paint -- occasionally with acrylic but never with oil. In the crayon drawings, color is an independent entity as well as an element in the process of representation. The marks of the crayons are prominent, and form an integrated surface from which the specific imagery emerges. It is also the physical residue of the artist's contact with the paper, embodying the pressures of making the drawing and offering a kind of autobiographical record. Harris thinks of shape and color in anthropomorphic terms. Endowing color with human qualities of emotion and mood permits him to personalize his relationship to his art, both in its making and in decisions about its content.
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