Illustrated in color and black and white. 384 pages. Tall thick 8vo, orange

Illustrated in color and black and white. 384 pages. Tall thick 8vo, orange cloth, dust wrapper. New Haven: Yale University Press, (2000). First edition. Fine in fine dust wrapper.

Size: 8x1x9; Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages.

Size: 8x1x9; Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages.

Format is approximately 7.25 inches by 10.25 inches. xv, [1], 384 pages.

Format is approximately 7.25 inches by 10.25 inches. xv, [1], 384 pages. Illustrated endpapers. Illustrations (some in color). Notes. Index. Small frontis illustration. DJ is in a plastic sleeve. Fairfield Porter (June 10, 1907-September 18, 1975) was an American painter and art critic. While a student at Harvard, Porter majored in fine arts; he continued his studies at the Art Students' League when he moved to New York City in 1928. His studies at the Art Students' League predisposed him to produce socially relevant art and, although the subjects would change, he continued to produce realist work for the rest of his career. He would be revered for continuing his representational style in the midst of the Abstract Expressionist movement. His subjects were primarily landscapes, domestic interiors and portraits of family, friends and fellow artists, many of them affiliated with the New York School of writers. Many of his paintings were set in or around the family summer house on Great Spruce Head Island, Maine. Justin Spring is a New York based writer specializing in twentieth-century American art and culture. He is the author of many monographs, catalogs, museum publications, and books, including the biography Fairfield Porter: A Life in Art (Yale University Press, 2000) and Paul Cadmus: The Male Nude (Universe, 2002). He has been the recipient of a number of grants, fellowships, and awards, including a Guggenheim Fellowship and the International Association of Art Critics Best Show Award. He has held research fellowships from Yale University, Brown University, Radcliffe College and Amherst College. His monograph on Paul Cadmus was a finalist for the Lamda Literary Award in Art History.