Used-Acceptable: A readable copy. Full of highlighting, marking and writing, Access codes and supplements are not included.

Used-Acceptable: A readable copy. Full of highlighting, marking and writing, Access codes and supplements are not included.

Good condition. A copy that has been read but remains intact. May contain

Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Buy with confidence. Excellent Customer Service & Return policy.

Buy with confidence. Excellent Customer Service & Return policy.

IMP: Acceptable- Do not include ACCESS CODE, CD-ROM or companion materials

IMP: Acceptable- Do not include ACCESS CODE, CD-ROM or companion materials even if stated in item title. It may contain highlighting/markings throughout, and the covers and corners may show shelf wear. Corners, pages may be dent. All text is legible. C

'Food for thought for communication/information/interface/inte designers--in

'Food for thought for communication/information/interface/inte designers--in short, anyone involved in human-to-human communication. What an exquisite feast'. --Daniel Boyarski 'This book represents the best of writing on design. Hiebert's project-based explanations are fascinating deconstructions that make sense and demystify the process of design'. --Douglass Scott, Yale School of Art and Rhode Island School of Design In this visually exciting book, an award-winning graphic designer and teacher addresses students, educators, computer graphics users, practicing designers, and others seeking to understand the principles and process of good design. Kenneth J. Hiebert extends the innovative approach he used in his previous book, Graphic Design Processes, showing how inventive graphic design arises from diverse stimulus sources. Interweaving theory and concrete, creative activity, he demonstrates the integration of such stimuli as nature, music, personal experience, statistical data, vernacular expression, and architecture in well-designed work. With clear explanations and hundreds of revealing illustrations, Hiebert discusses and demonstrates the process of design creation: first finding more universal and latent beginning points inherent in sources, then engaging in a thought process that leads to fresh and unpredictable interpretive results. He explains how to use the computer as an enabling tool while avoiding the cliche forms of obvious computer-generated design. When designers understand how to meld form, technique, and communication, Hiebert says, design becomes an exciting personal process, independent of stylistic trends. With clear explanations and hundreds of revealing illustrations, the author of GRAPHIC DESIGN PROCESSES continues to discuss and demonstrate the process of design creation and how inventive graphic design inspiration arises from diverse sources. Hiebert reveals how by melding form, technique, and communication, design becomes an exciting personal process. 240 color and 400 b&w illustrations. Very nice clean, tight copy free of any marks.