Beginning with two turn-of-the-century operas -- Frederick Delius's A Village Romeo and Juliet and Claude Debussy's Pelleas et Melisande -- that present humankind as lost in a tangled wood that is at once internal and external, Mellers develops the theme of wilderness in sociological, psychological, ecological, and even geological terms. He discusses Leos Janacek's Cunning Little Vixen ("the ultimate ecological opera") as a parable of redemption and explores the delicate yet dangerous equilibrium between civilization and the dark forest in works by Charles Koechlin and Darius Milhaud. Elements of wilderness and the city combine to infuse the music of Heitor Villa-Lobos and Carlos Chavez with a blend of primitivism and sophistication, while a creative tension between desert landscape and industrial mechanization inspires the works of Carl Ruggles, Harry Partch, Steve Reich, and Australia's Peter Sculthorpe. The volume culminates in a discussion of two American urban folk musicians, Duke Ellington and George Gershwin.

Brimming over with fresh ideas and unexpected cross-pollinations, Singing in the Wilderness is a stimulating addition to the oeuvre of a distinguished and inventive musicologist.