Description: A LUMINOUS REIMAGINING OF THE CLASSIC FAIRY TALE CINDERELLA, TOLD FROM THE PERSPECTIVE OF AGNES, THE BEAUTIFUL GIRL'S "EVIL" STEPMOTHER Compelling fiction often obscures the humble truth . . . We all know the story of Cinderella. Or do we? As rumors about the cruel upbringing of beautiful newlywed Princess Cinderella roil the kingdom, her stepmother, Agnes, a woman who knows all too well about hardship, privately records the true story. But what unfolds is not the princess's history. The tale Agnes recounts is her own. A peasant born into serfdom, Agnes is separated from her family and forced into servitude as a laundress's apprentice at Aviceford Manor when she is just ten years old. Alone, friendless, and burdened with a grueling workload, Agnes carves a place for herself in this cold place that is home to Sir Emont Vis-de-Loup, a melancholic and capricious drunkard. Using her wits and ingenuity, Agnes eventually escapes and makes her way toward a more hopeful future, serving as a housemaid for the powerful Abbess Elfilda. But life once again holds unexpected, sometimes heartbreaking twists that lead Agnes back to Aviceford Manor, where she becomes nursemaid to Ella, Emont's sensitive, otherworldly daughter. Though she cares for Ella, Agnes struggles to love this child, who in time becomes her stepdaughter and, ultimately, the celebrated princess who embodies all our unattainable fantasies. Familiar yet fresh, tender as well as bittersweet, the story of Agnes and Ella's relationship reveals that beauty is not always desirable, that love may take on many guises, and that freedom is not always something we can choose. Danielle Teller's All the Ever Afters challenges our assumptions and forces us to reevaluate what we think we know. Exploring the hidden complexities that lie beneath classic tales of good and evil, this lyrically told, emotionally evocative, and brilliantly perceptive novel shows us that how we confront adversity reveals a more profound--and ultimately more precious--truth about our lives than the ideal of "happily ever after."

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