Songs, stories, images, and films about frightening monsters have always been invented to allay the very terrors that our dreams of reason conjure up. Warner shows how these images and stories, while they may unfold along different lines -- scaring, lulling, or making mock -- always have the strategic, simultaneous purpose of both arousing and controlling the underlying fear. In a brilliant analysis of material long overlooked by cultural critics, historians, and even psychologists, Warner revises our understanding of storytelling in contemporary culture, of masculine identity, racial stereotyping, and the dangerous, unthinking ways we perpetuate the bogeyman.
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