Description: CHAPTER ONE The Mission "It''s amazing how productive dead writers can be," John commented to Jack as he scanned the shelves in the great library at Tamerlane House. "Some of our colleagues have been more productive after their natural lives than they were beforehand." "I would chance a guess that having died brings a lot of focus and clarity to one''s goals," Jack ventured. "Not that I''m planning on testing that myself any time soon." "Take a look at this," John said, removing a fat volume bound in bright red leather and handing it to his friend. "It''s Hawthorne''s book Septimius Felton . I never realized he''d finished it." "Finished it, and written a sequel," a familiar voice answered. The two men turned to see their friend Charles at the door, nodding enthusiastically as he strode into the room, arms outstretched. "He''s having a bit of trouble with the third one, though. Twain and I are helping him work through it." John''s self-control was such that he managed to bite his tongue before blurting out what he wanted to say, but Jack was startled enough by Charles''s appearance that he actually dropped the book he was holding. "Charles!" Jack sputtered. "Your hair . . . it''s--it''s--" "Purple," said John. "Burgundy, actually," Charles said, preening slightly. "Rose helped me color it. Isn''t it striking?" "It''s purple," Jack said, still staring openmouthed as he bent to pick up the book. "Whatever possessed you, Charles? That''s hardly a becoming color for an editor." "Possibly," said Charles, "but it''s also the exact shade of burgundy as Queen Victoria''s throne. I have it on good authority. And besides, I''m not really just an editor anymore, am I? More of a soldier of fortune." Jack and John traded disbelieving glances, and the latter asked, "So, ah, who told you that was the color of Victoria''s throne?" "Geoffrey Chaucer." "Mmm," John hummed. "I see." It was traditional, in the old-fraternal-order sort of way, for the Caretakers Emeriti to prank the newer members of their secret society. The problem was that every time John, Jack, and Charles had been present at Tamerlane House, it had been in a crisis situation, and there was no time or inclination for tomfoolery. But now that Charles was a full-time resident, John suspected that the Elder Caretakers--specifically Chaucer--were having a bit of fun. "Rose helped me do it," Charles said again as he ran a hand through his full head of hair. "She changes hers on a weekly basis." "I''d noticed," said John, "but she''s still a teenager, and you''re . . ." "Dead," Charles said. "But still optimistic about the future." Jack laughed, and both he and John shook Charles''s hands. "Fair enough," John said. "We''re always happy to see you, old fellow." The friends had gotten accustomed to having easy access to Tamerlane House through the use of Shakespeare''s Bridge in the garden at the Kilns. Despite the pain they all still felt over the loss of the Archipelago, it was a comfort to be able to simply cross over and be in the company of the other Caretakers, and thus remind themselves of the value of the work they had done--and the work they still had to do. Jack was busying himself with preparations for the eventual establishment of a reborn Imperial Cartological Society, including Apprentice and Associate Caretaker programs. It would have to remain an underground project until the Caretakers were truly ready to make it more public, but he and John had already begun actively recruiting the next generations of Caretakers, and were deliberately making it more of a global endeavor than it had been under Verne. "I see you''ve found Nathaniel''s book," a voice whined from the doorway. It was Lord Byron, a disgraced Caretaker who was tolerated only reluctantly by the rest of them because of Poe''s insistence that he be included. "It isn''t as good as he thinks it is, you know. It was better when it was unfinished." "Say, George," Jack said, turning to address Byron, whose real name was George Gordon. "I noticed that there''s nothing new in your section of the library. Has inspiration finally failed you?" "Hardly," Byron sniffed. "I have more inspiration in my little toe than you have in your whole body. I don''t need to write to demonstrate that--my life is my art." "You''re dead, you idiot," said Sir James Barrie as he entered the room, accompanied by Charles''s apprentice Caretaker, the badger Fred. "Death is but a new adventure . . . ," Byron began before the others'' laughter cut him off. "What?" he said, a blush rising in his cheeks. "What''s funny about that?" "I''m sorry, George," Jack said, giving the poet''s shoulder an appreciative squeeze. "All I meant was that I''ve often wondered why someone of your talent never applied it to some grand epic, or an ongoing work of proportions worthy of your ability. That''s all." "Oh," said Byron, who wasn''t certain whether that was actually an apology. "I simply never found the right tale for that kind of treatment." "I thought Bert might be with you," John said, shaking Barrie''s hand. "Does he know we''re here?" "I couldn''t say," Barrie answered. "He''s been keeping to himself lately, but I''m sure he''ll be along shortly. The war council was his idea." As the Caretakers talked, Fred maintained a respectful distance and kept his opinions to himself. Technically speaking, an apprentice Caretaker had all the standing of a full Caretaker, especially among those at Tamerlane House. But Fred was still a little uncertain about his own position, considering his predecessor was technically deceased. Charles was himself still considered a Caretaker, but a Caretaker Emeritus. He was, like Verne and Kipling, a tulpa --a near-immortal, youthful, new body housing an old soul. And unlike the majority of the other Caretakers, who were portraits in Tamerlane, and who could leave the frames for only one week, he could go almost anywhere--as long as it wasn''t somewhere he''d been known when he was alive. To the animals, dead was dead, and while they tolerated the portraits, none of them--especially the badgers--could quite accept the tulpas. It was something about their smell, Fred once said to Jack--there was none. Tulpas gave off no odor at all. And to an animal, who determines friend or enemy, truth or lies, based on smell--that made the whole idea completely suspect. Still, he was sworn to serve the Caretakers, as were his father and grandfather before him, and of them all, Charles had the strongest bond to the badgers. So Fred was cheerfully stoic. Mostly. "You could do as John is doing," Jack continued, "and base a great work on stories of the Archipelago." "I learned my lesson about that ages ago," Byron grumbled. "They set fire to me, remember? And that was just on general principles. I''d hate to see what the others would do to me if I broke one of the cardinal rules of the Archipelago." "Others have done it before me," said John. "Most of them, actually. And as long as the stories or characters are disguised or altered, and no secrets of the Archipelago are revealed, it isn''t really a problem." "Technically speaking," said Charles, "you aren''t revealing any secrets about the Archipelago, because there''s nothing left to keep any secrets about." "Believing is seeing," Fred murmured in a low voice. "Believing is seeing, Scowler . . . Charles." He twitched his whiskers as if he were about to say something more, then turned abruptly and scurried out of the room, closing the door behind him. "Ah, me," Charles said, sighing. "I''ve put my foot in it again, haven''t I?" "No argument there," said Jack. "You''d think finding his father was really alive, and not lost with the rest of the Archipelago, would have cheered him somewhat," said Barrie, "but he can''t push past the loss of everything else, I fear." "It was his world," said John. "And it''s gone. You can''t fault the little fellow for feeling as he does." Charles sighed heavily. "No," he said. "No, we can''t. But I wish it were at least easier for him to accept that I''m, well, me. Myself." "Remember, Charles," said Barrie. "All good things happen . . . ". . . in time." There was a knock at the door. Percy Shelley opened it and stepped into the room. He scowled at Byron, then regained his composure and faced the other Caretakers. "Gentlemen," he said, gesturing back down the hall. "Summon the others to the meeting room, if you please. The war council will begin within the hour." Charles led his companions to the inner courtyard of the house, where Sir Richard Burton and the Valkyrie called Laura Glue were instructing Nathaniel Hawthorne, Mark Twain, and Rose Dyson in the ancient art of the samurai sword. Each held a katana about three feet long and was in a stance of readiness. The girls faced each other, while Burton faced both of the other men. He barked a command, and all of them erupted in a flurry of shouts and clashing metal. "I never caught the knack of it," Charles said over the din. "I''d land a good blow with one of the wooden practice swords, then pause to apologize to my opponent and allow him to regain his footing. It''s an honorable discipline, but it really doesn''t mesh well with gentlemanly chivalry." The girls were evenly matched, and fought to a draw--but after handily disarming Hawthorn

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