Drury's experiences of places or journeys around the globe are expressed in two kinds of sculpture: mounds or shelters, sometimes filled with fire, are made in remote locations; other pieces, including meticulously worked baskets and exquisitely formed "bundles" -- of bone, wood, leaf, grass, feather, stone -- are created later from materials picked up along the way.
Kay Syrad's introduction analyzes Drury's sculpture in the context of late-20th-century environmental art, drawing parallels with aspects of Zen Buddhism and offering valuable insights into the artist's motivations.
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