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Assumed first though not stated; full number line. Oversized softbound book

Assumed first though not stated; full number line. Oversized softbound book in like new condition. Book appears unread. Firmly bound with no creasing evident anywhere on the book. Cover is glossy, pages spotless and sharp cornered.

Why, during the past thirty years, has there been a dramatic change in

Why, during the past thirty years, has there been a dramatic change in architecture by and for Native Americans? How does it reflect the revival of language and the renewal and invention of dance, music, and other performance, and the remarkable burst of creativity in Native American novels and poetry? And since architecture requires technical expertise and money, how does this change reflect alterations in the economic, legal, and political situation of American Indians in the past decades? At no other time since the European invasions have the Native nations been as determined to set their own agendas for building or been as successful in reaching their architectural goals. They now claim authority in planning what they need for modern life-office buildings, schools, clinics, religious and community structures, urban cultural centers, houses, and museums, even commercial buildings and casinos. Those agendas often include strategies for making sure that the buildings are culturally appropriate or focus on collective decisions that embody community values brought from the past to the present. In Contemporary Native American Architecture, Carol Herselle Krinsky examines the historical and legal background of this movement of cultural regeneration through the medium of architecture, and records responses of Native Americans to ever-changing cultural situations. In the past 30 years there has been a dramatic change in architecture by and for American Indians. How does this reflect the revival and invention of dance, music, and other performance, and the remarkable burst of creativity in Native American novels and poetry? This book examines the historic and legal background of this movement of cultural regeneration through the medium of architecture, as well as reponses of Native Americans to ever-changing cultural situations. 136 halftones. 14 linecuts. Very nice clean, tight copy free of any marks.

Why, during the past thirty years, has there been a dramatic change in

Why, during the past thirty years, has there been a dramatic change in architecture by and for Native Americans? How does it reflect the revival of language and the renewal and invention of dance, music, and other performance, and the remarkable burst of creativity in Native American novels and poetry? And since architecture requires technical expertise and money, how does this change reflect alterations in the economic, legal, and political situation of American Indians in the past decades? At no other time since the European invasions have the Native nations been as determined to set their own agendas for building or been as successful in reaching their architectural goals. They now claim authority in planning what they need for modern life-office buildings, schools, clinics, religious and community structures, urban cultural centers, houses, and museums, even commercial buildings and casinos. Those agendas often include strategies for making sure that the buildings are culturally appropriate or focus on collective decisions that embody community values brought from the past to the present. In Contemporary Native American Architecture, Carol Herselle Krinsky examines the historical and legal background of this movement of cultural regeneration through the medium of architecture, and records responses of Native Americans to ever-changing cultural situations. In the past 30 years there has been a dramatic change in architecture by and for American Indians. How does this reflect the revival and invention of dance, music, and other performance, and the remarkable burst of creativity in Native American novels and poetry? This book examines the historic and legal background of this movement of cultural regeneration through the medium of architecture, as well as reponses of Native Americans to ever-changing cultural situations. 136 halftones. 14 linecuts. Very nice clean, tight copy free of any marks. Black remainder mark on bottom text edge.

Why, during the past thirty years, has there been a dramatic change in

Why, during the past thirty years, has there been a dramatic change in architecture by and for Native Americans? How does it reflect the revival of language and the renewal and invention of dance, music, and other performance, and the remarkable burst of creativity in Native American novels and poetry? And since architecture requires technical expertise and money, how does this change reflect alterations in the economic, legal, and political situation of American Indians in the past decades? At no other time since the European invasions have the Native nations been as determined to set their own agendas for building or been as successful in reaching their architectural goals. They now claim authority in planning what they need for modern life-office buildings, schools, clinics, religious and community structures, urban cultural centers, houses, and museums, even commercial buildings and casinos. Those agendas often include strategies for making sure that the buildings are culturally appropriate or focus on collective decisions that embody community values brought from the past to the present. In Contemporary Native American Architecture, Carol Herselle Krinsky examines the historical and legal background of this movement of cultural regeneration through the medium of architecture, and records responses of Native Americans to ever-changing cultural situations.