The authors first examine the movement's origins in primitivism and its engagement with issues of race and colonialism, and then consider the Cubists' responses to anti-Enlightenment philosophies, the relation of Cubist art to the "classical", the role played by gender conceptually and within particular careers and practices, collage and its interplay with cultural themes, and the impact of anarchism, nationalism, and pacifism on Cubism's cultural politics.
This comprehensive and fresh examination of Cubism in its wider context -- social, cultural, political, scientific, and philosophical -- covers the full range of art and artists from the movement's advent in 1908.
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