Limited to neither a single discipline nor a particular intellectual figure, this book comprehensively views British cultural Marxism in terms of the dialogue between historians and the originators of cultural studies and in its relationship to the new left and feminist movements. From the contributions of Eric Hobsbawm, Christopher Hill, Sheila Rowbotham, Rodney Hilton, Catherine Hall, and E. P. Thompson to those of Perry Anderson, Barbara Taylor, Raymond Williams, Stuart Hall, and Dick Hebdidge, Dworkin examines the debates over issues of culture and society, structure and agency, experience and ideology, and theory and practice. The rise, demise, and reorganization of journals such as The Reasoner, The New Reasoner, Universities and Left Review, New Left Review, Past and Present are also part of the history told in this volume. In every instance, the focus of Dworkin's attention is the intellectual work seen in its political context.
Capturing the excitement and commitment that more than one generation of historians, literary critics, art historians, philosophers, and cultural theorists have felt about an unorthodox and critical tradition ofMarxist theory, Cultural Marxism in Postwar Britain will appeal to students and scholars of cultural studies as well as those interested in the broader terrain of Marxist theory and contemporary critical theory.
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