Description: This piece was first performed at the Walker Arts Center in Minneapolis and the at the Kitchen in New York in 1990. Mel Gussow, writing in the New York Times, obseved that the language of the play was complex, moving "backwards, forward and sideways", but "what holds the audience's attention is the ingenious style of presentation. While we are still trying to correlate the barrage of words and the live video figures, some of whom appear to be taking to themselves, the rear wall suddenly swings to a perpendicualar, revealing an entirely different audience siting on bleachers on the opposites side of the stage. In a mirror reversal, they have been watching our actors on monitors and our monitor-actors on stage.

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