Impersonations: the Performance of Gender in Shakespeare's England
- Binding: Hardcover
- Publisher: Cambridge University Press
- Publish date: 04/01/1996
Description:
Why was England the only country in Europe to maintain an all-male public theatre in the Renaissance? This question prompts Stephen Orgel's exploration of the representation of gender in Elizabethan drama and society. At once provocative and witty, lucid and stylish, Impersonations reshapes our understanding of Renaissance theatre and culture.
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Returnable at the third party seller's discretion and may come without consumable supplements like access codes, CD's, or workbooks.
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