Description:
A primer -- rather than a survey -- this book offers exceptionally clear, simple explanations of basic theoretical concepts for the post-tonal music of the twentieth century. Emphasizing hands-on contact with the music -- through playing, singing, listening, and analyzing -- it provides six chapters on theory, each illustrated with musical examples and fully worked-out analyses, all drawn largely from the "classical" pre-war repertoire by Schoenberg, Stravinsky, Bartok, Berg, and Webern.
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Considers three principal kinds of post-tonal music -- free atonal music, twelve-tone music, and centric music. Makes extensive use of transformational graphs and networks to present analytical information; and includes a variety of exercises in theory, analysis, musicianship and ear-training, and composition.
Product notice
Returnable at the third party seller's discretion and may come without consumable supplements like access codes, CD's, or workbooks.
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