Description: 1. David Hiley: The Plainsong and Mediaeval Music Society, 1888-1988; I. Liturgy and Liturgical Poyphony in Early Medieval England; 2. Ritva Jacobsson: Unica in the Cotton Caligula Troper; 3. Michel Huglo: Remarks on the Aleluia and Responsory Series in the Winchester Troper; 4. David Hiley: Post-Pentecost Alleluias in Medieval British Liturgies; 5. Susan Rankin: Winchester Polyphony: The Early Theory and Practice of Organum; 6. Wulf Arlt: Stylistic Layers inEleventh-Century Polyphony: How can the Continental Sources Contribute to our Understanding of the Winchester Organum?; II. Liturgy and Liturgical Polyphony in Later Medieval England; 7. Ruth Steiner:Marian Antiphons at Cluny and Lewes; 8. David Chadd: An English Noted Breviary of circa 1200; 9. Andrew Hughes: British Rhymed Offices: A Catologue and Commentary; 10. John Caldwell: Relations between Liturgical and Vernacular Music in Medieval England; 11. Frank Ll. Harrison: Plainsong into Polyphony: Repertories and Structures circa 1270-circa 1420; 12. Nick Sandon: The Manuscript London, British Library Harley 1709; Index

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