All pages and cover are intact. Possible slightly loose binding, minor

All pages and cover are intact. Possible slightly loose binding, minor highlighting and marginalia, cocked spine or torn dust jacket. Maybe an ex-library copy and not include the accompanying CDs, access codes or other supplemental materials.

FAST SHIPPING!! No CD Included. Access code may be previously used. Heavy

FAST SHIPPING!! No CD Included. Access code may be previously used. Heavy wear, wrinkling, creasing or tears on cover and spine. Heavy writing and highlighting. Cover has used book stickers or residue. Marker on cover or bottom edge of book. Book may hav

Buy with confidence. Excellent Customer Service & Return policy.Ships Fast. 24*7 Customer Service.

Buy with confidence. Excellent Customer Service & Return policy.Ships Fast. 24*7 Customer Service.

Very Good condition. Like New dust jacket. Owners name on inside.

Very Good condition. Like New dust jacket. Owners name on inside.

Used-Acceptable: A readable copy. Full of highlighting, marking and writing, Access codes and supplements are not included.

Used-Acceptable: A readable copy. Full of highlighting, marking and writing, Access codes and supplements are not included.

IMP: Acceptable- Do not include ACCESS CODE, CD-ROM or companion materials

IMP: Acceptable- Do not include ACCESS CODE, CD-ROM or companion materials even if stated in item title. It may contain highlighting/markings throughout, and the covers and corners may show shelf wear. Corners, pages may be dent. All text is legible. C

Very Good condition. Like New dust jacket. Owner's name on inside.

Very Good condition. Like New dust jacket. Owner's name on inside.

The original Oxford Companion to Art, edited by the late Harold Osborne, has

The original Oxford Companion to Art, edited by the late Harold Osborne, has been a mainstay for over three decades, a renowned one-volume guide to the world of art. Now comes The Oxford Companion to Western Art, almost completely rewritten, covering many more artists and their works, and offering fresh treatment of topics of contemporary interest, including patronage, taste, theory and criticism, materials and techniques, and the new art history. Written by 100 distinguished art historians and scholars, here are 2600 alphabetically arranged entries, almost half of them covering artists from classical times to the twentieth century. Other entries discuss art styles and movements, art forms (such as battle painting, landscape, caricature, or stained glass), specialist terms, and materials and techniques in all media. There is strong emphasis on location as a focus for art. Not only are there regional and cultural surveys, but also entries on specific places of importance such as Paris or Urbino. Moreover, museums and galleries are collected under their city headword so that the reader can easily find the major sites within a particular locality, such as New York, Boston, or Madrid. In addition, entries chart the critical fortunes of the art of the major European countries, covering for example patronage and collecting of Italian art in France, Spain, Britain, Germany, the USA, and in Italy itself. The contributors examine art theory, scholarship, and criticism, from Aristotle and Pausanius to Sartre, Panofsky, and Foucault. Everyone who loves art, whether artist, critic, scholar, or aficionado, will want to own this essential reference.