With very good dust jacket. Very Good hardcover with light shelfwear-NICE! Oversized.

With very good dust jacket. Very Good hardcover with light shelfwear-NICE! Oversized.

Very good paperback copy. An extraordinary outburst of creative activity

Very good paperback copy. An extraordinary outburst of creative activity occurred among American printmakers between the years 1960 and 1990. New workshops sprang up, like Universal Limited Art Editions on Long Island and the Tamarind Lithography Workshop in Los Angeles, as well as small presses throughout the country. In contrast to traditional European studios, where professional printers reproduced artists' designs, the new American workshops emphasized collaboration between printer and artist, and radical experimentation with mediums and processes.

Grey cloth, grey ill. DJ. 248 pp. 177 bw and color plates. Survey of graphic

Grey cloth, grey ill. DJ. 248 pp. 177 bw and color plates. Survey of graphic production in the US from 1960 to 1990. Works by Robert Blackburn, June Wayne, Tatyana Grosman, Sheila Marbain, Sam Gilliam, Romare Bearden, Grace Hartigan, Jennifer Bartlett, Lee Bontecou, Pat Stier and many others. Exhibition itinerary: The Jane Voorhees Zimmerli Art Museum, Rutgers--the State University of New Jersey, New Brunswick, New Jersey, April 23-June 18, 1995 [and others]. / Includes bibliographical references (pages 220-242) and index. Contents as follows: Introduction and acknowledgements / David Mickenberg--Collaboration in American printmaking before 1960 / Joann Moser--Multiple visions: printers, artists, promoters, and patrons / Trudy V. Hansen--Printmaking 1960 to 1990 / Barry Walker--Multiple purposes: collaboration and education in university and non-profit workshops / David Mickenberg--Exhibition checklist--The plates. pUBLISHED TO ACCOMPANY THE EXHIBITION HELD IN New Brunswick, NJ: The Jane Voorhees Zimmerli Art Museum, Rutgers, April 23 to June 18, 1995.

Sewn binding. 248 p.

Sewn binding. 248 p.