McCaffery approaches the poetic work as an occasion for philosophical reflection and discovery, reading works as diverse as Nietzsche's Thus Spake Zarathustra, Charles Olson's Maximus Poems, the Marquis de Sade's fiction, Samuel Johnson's Dictionary via Wittgenstein, and Jackson Mac Low's aleatory poetry to show how language actually behaves rather than how it is designed to function. Exploring a range of writing from seventeenth-century England to the avant-garde contemporary poetics of writers such as Robin Blaser and Karen MacCormack, these essays trace intersections along a broad conceptual plane that McCaffery terms the "protosemantic", demonstrating how a reader must examine the interstices of each text, its paragrammatic possibilities, its Deleuzean folds.
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