Trade paperback (US). Glued binding. 312 p. Contains: Illustrations. Mit

Trade paperback (US). Glued binding. 312 p. Contains: Illustrations. Mit Press. Audience: General/trade. This book theorizes that much of the new media in the digital age "pays homage" or "refashions" older media.

Student Edition. No apparent missing pages. Heavy wrinkling from liquid

Student Edition. No apparent missing pages. Heavy wrinkling from liquid damage. Heavy wear, fading, creasing, Curling or tears on the cover and spine. May have used stickers or residue. Good binding with NO apparent loose or torn pages. Heavy writing, hig

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Buy with confidence. Excellent Customer Service & Return policy.Ships Fast. 24*7 Customer Service.

IMP: Acceptable- Do not include ACCESS CODE, CD-ROM or companion materials

IMP: Acceptable- Do not include ACCESS CODE, CD-ROM or companion materials even if stated in item title. It may contain highlighting/markings throughout, and the covers and corners may show shelf wear. Corners, pages may be dent. All text is legible. C

Good

Good

Media critics remain captivated by the modernist myth of the new: theyassume

Media critics remain captivated by the modernist myth of the new: theyassume that digital technologies such as the World Wide Web, virtual reality, andcomputer graphics must divorce themselves from earlier media for a new set ofaesthetic and cultural principles. In this richly illustrated study, Jay DavidBolter and Richard Grusin offer a theory of mediation for our digital age thatchallenges this assumption. They argue that new visual media achieve their culturalsignificance precisely by paying homage to, rivaling, and refashioning such earliermedia as perspective painting, photography, film, and television. They call thisprocess of refashioning 'remediation, ' and they note that earlier media have alsorefashioned one another: photography remediated painting, film remediated stageproduction and photography, and television remediated film, vaudeville, andradio.