100% of this purchase will support literacy programs through a nonprofit organization!

100% of this purchase will support literacy programs through a nonprofit organization!

Minor thumbing, minor browning to pages, else tight and clean.

Minor thumbing, minor browning to pages, else tight and clean.

Item may show signs of shelf wear. Pages may include limited notes and

Item may show signs of shelf wear. Pages may include limited notes and highlighting. May include supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority.

Trade paperback (US). Glued binding. 272 p. Audience: General/trade.17683

Trade paperback (US). Glued binding. 272 p. Audience: General/trade.17683 17683--It is Scottsboro, Alabama, in the fall of 1991. A snake-handling preacher by the name of Glendel Buford Summerford has just tried to murder his wife, Darlene, by snakebite. At gunpoint, he forces her to stick her arm in a box of rattlesnakes. She is bitten twice and nearly dies. The trial, which becomes a sensation throughout southern Appalachia, echoes familiar themes from a troubled secular world-marital infidelity, spouse abuse, and alcoholism-but it also raises questions about faith, forgiveness, redemption, and, of course, snakes. Glenn Summerford is convicted of attempted murder and sentenced to ninety-nine years in prison. When Dennis Covington covered the trial of Glenn Summerford for The New York Times, a world far beyond the trial opened up to him. Salvation on Sand Mountain begins with a crime and a trial and then becomes an extraordinary exploration of a place, a people, and an author's descent into himself. The place is southern Appalachia-a country deep and unsettled, where the past and its culture collide with the economic and social realities of the present, leaving a residue of rootlessness, anxiety, and lawlessness. All-night video stores and tanning salons stand next to collapsed chicken farms and fundamentalist churches. The people are poor southern whites. Peculiar and insular, they are hill people of Scotch-Irish descent: religious mystics who cast out demons, speak in tongues, drink strychnine, run blowtorches up their arms, and drape themselves with rattlesnakes. There is Charles McGlocklin, the End-Time Evangelist; Cecil Esslinder, the red headed guitar player with the perpetual grin; Aunt Daisy, the prophetess; Brother Carl Porter; Elvis Presley Saylor; Gracie McAllister; Dewey Chafin; and the legendary Punkin Brown, all of whose faith illuminates these pages. And then there is Dennis Covington, himself Scotch-Irish, whose own family came down off of Sand Mountain two generations ago to work in the steel mills of Birmingham, and