Description:
Preface: truth or method; Introduction: Ode to X, or the essay as monstrosity; 1. Guilt by (un) free association: Adorno on Romance et al., with some notes on the Schlock experience; 2. Anamorphoses of grammar: Derrida on Heidegger; 3. Absolute constructions, an essay at Paul de Man; 4. Because the nights: Blanchots's Celui qui ne m'accompagnait pas; 5. Afterword: er, or borrowing from Peter to pay Paul: further notes on Celan's translation of Shakespeare's Sonnet 105.
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