Description: The Arena Chapel and the Genius of GiottoPadua Lindsay, Lord. Sketches of the History of Christian Art (London, 1847)*de Selincourt, Basil. Excerpts from "The Arena Chalep at Padua. " In Giotto (London: Duckworth and Company) and (New York: Scribner's Sons, 1905)* Alpatoff, Michael. "The Parallellism of Giotto's Paduan Frescoes," The Art Bulletin 29 (1947)*Shorr, Dorothy C. "The Role of the Virgin in Giotto's Last Judgment," The Art Bulletin 38 (1956) * Schlegel, Ursula. "On the Picture Program of the Arena Chapel. " In Giotto: The Arena Chapel Frescoes by J. Stubblebine (New York: Norton, 1969)*Tintori, Leonetto and Millard Meiss. "Observations on the Arena Chapel and Santa Croce. " In The Painting of The Life of St. Francis in Assisi with Notes on the Arena Chapel. " (New York: New York University Press, 1962)*Tintori, Leonetto. "Additional Observations on Italian Mural Technique," The Art Bulletin 46 (1964)*Gilbert, Creighton. "The Sequence of Execution in the Arena Chapel," Essays in Honour of W. Friedlaender. In Marsyas, Studies in the History of Art, Supplement 2 (New York Institute of Fine Art, 1965)*Bongiorno, L. Mack. "The Theme of the Old and New Law in the Arena Chapel," The Art Bulletin 50 (1968)*Stubblebine, James. "Giotto and the Arena Chapel Frescoes. " In Giotto: The Arena Chapel Frescoes (New York: Norton, 1969)*Bush, V. L. "The Sources of Giotto's 'Meeting at the Golden Gate' and the Meaning of the Dark-Veiled Woman. " In Bollettino del Museo Civico di Padova, 1972)*Denny, Don. "Some Symbols in the Arena Chapel Frescoes," The Art Bulletin 55 (1973)*White, John. "Giotto's Use of Architecture in 'The Expulsion of Joachim' and 'The Entry into Jerusalem' at Padua," Burlington Magazine 115 (1973)*Bellinati, Claudio. "La Cappela di Giotto e le miniature dell'antifonario 'giottesco' della cattedrale (1306)" In Da Giotto al Mantegna (Milan, 1974)* Czarnecki, James G. "The Significance of Judas in Giotto's Arena Chapel Frescoes. " In The Early Renaissance, Acta V (1978)*Smith, Robert. "Giotto: Artistic Realism, Political Realism," Journal of Medieval History 4 (1978)*Rough, Robert. "Enrico Scrovegni, the 'Cavalieri Gaudenti' and the Arena Chapel in Padua," The Art Bulletin 62 (1980)*Riess, Jonathon. "Justice and the Common Good in Giotto's Arena Chapel Frescoes," Arte Cristiana 701 (1984)* Ladis, Andrew. "The Legend of Giotto's Wit and the Arena Chapel," The Art Bulletin 68 (1986)*Barasch, M. "The Speaking Hand. " In Giotto and the Language of Gesture (Cambridge: Cambridge University Press, 1987)*Hills, Paul'. "Light and Colour in the Scrovegni Chapel" and "Giotto and the Students of Optics. " In The Light of Early Italian Painting (New Haven: Yale University Press, 1987)*Basile, Giuseppe. "The Arena Chapel and Giotto's Intellectual and Artistic World. " In Giotto: The Arena Chapel Frescoes" (London: Thames & Hudson, 1993)*Settis, Salvatore. "'Non tener pur ad un loco la mente'. " From "The Iconography of Italian Art, 1100-1500" in History of Italian Art," Vol. II, translated by Claire Dorey (Cambridge: Polity Press, 1994)*Kohl, Benjamin C. "The Scrovegni in Carrara Padua and Enrico's Will," Apollo 142 (1995)*Jacobus, Laura. "Giotto's Design for the Arena Chapel, Padua," Apollo 142 (1995)*Smith, Robin. "Giotto and After: Altars and Altarpieces at the Arena Chapel, Padua," Apollo 142 (1995)*Cole, Bruce. "Virtues and Vices in Giotto's Arena Chapel Frescoes. " In Studies in the History of Italian Art, 1250-1550 (London Studies in the History of Italian Art, 1996).

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