Description:
This is the first book of its kind to examine a wide variety of women's self-portraiture (including performance and body art), thereby reclaiming important works that have been marginalized by a cultural fixation with male self-portraiture. In lucid prose, gratefully unfettered by jargon and rhetoric, Meskimmon moves us to the ineluctable conclusion that an examination of art and art criticism is less than half-precise when it is only half-gendered, and that our present notions of female subjects in art must be significantly reformulated.
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Product notice
Returnable at the third party seller's discretion and may come without consumable supplements like access codes, CD's, or workbooks.
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