In this book, Irina Gutkin brings together the best work written on the subject to argue that Socialist Realism encompassed a philosophical world view that marked thinking in the Soviet Union on all levels: political, social, and linguistic. As such, it was an historically organic cultural product arising from the interaction of the utopian projects of the Marxist-Bolshevist political vanguard and the radical modernist artistic avant-garde movements. In the fundamental cultural change of the revolutionary period lasting from 1890s to mid-1930s, these visionary forces favored different means but had common ultimate goals -the creation of a New Ideal World free from material contingency and peopled by a New Humanity of artistic demiurges.

Using a wealth of diverse cultural material, Gutkin traces the emergence of central tenets operative in Socialist Realist theory and praxis from Symbolism to pre- and post-revolutionary Futurism, through the 1920s and 1930s, demonstrating the evolution of such concepts as the demand for a supra-Realist art able to transfigure the real world into an Ideal Future, the function of the New Artists as Engineers of the Human Soul, i.e. the creators of the New SovietMan and the New Soviet Everyday, and of the New Love.

A solid work of cultural and philosophical analysis, this book will appeal to specialists in twentieth-century Russian literature and culture as well as to cultural historians and general readers who hope to understand one of the most significant aesthetic movements of the twentieth century.