A sound copy with only light wear. Overall a solid copy at a great price!

A sound copy with only light wear. Overall a solid copy at a great price!

Very Good condition. Very Good dust jacket. A copy that may have a few

Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

With very good dust jacket. Very Good hardcover with light shelfwear-NICE! Oversized.

With very good dust jacket. Very Good hardcover with light shelfwear-NICE! Oversized.

12.6 X 9.7 X 1.2 inches; 143 pp; Minor bump on a corner, a very nice and attractive like new book.

12.6 X 9.7 X 1.2 inches; 143 pp; Minor bump on a corner, a very nice and attractive like new book.

Maroon cloth over boards with gold gilt illustration on cover and lettering

Maroon cloth over boards with gold gilt illustration on cover and lettering on spine; color pictorial dust jacket; 143 pp.; 70 color, 70 bw illustrations. Published in conjunction with a three-year exhibition held at the Storm King Art Center in Mountainville, New York. Contents as follows: The fields of David Smith / Candida N. Smith--The David Smith I knew / Mark di Suvero--David Smith: a memoir / Irving Sandler--The fields at Storm King / Candida N. Smith--David Smith: a selected chronology / Joan Pachner. "David Smith, the innovative and masterly twentieth-century sculptor, strove to create works of art that could be viewed "without reverence or awe" because they were, in his words, "natural...statements of peaceful pursuit." Intrinsic to this hope was a conviction that his monumental sculpture belonged in the elements, with sky and earth as its visible reference points." "The Fields of David Smith is published to coincide with a three-year exhibition in the expansive landscape of the Storm King Art Center in Mountainville, New York. The aim of both book and exhibition has been to recapture the experience of viewing Smith's work during his lifetime, when it was deployed with care and exuberance in ever-changing arrangements in his fields at Bolton Landing in the Adirondacks."--Jacket.