Lincoln builds her discussion around the work of three printmakers practicing at different times and under varying economic opportunities and restraints: Andrea Mantegna in Mantua, Domenico Beccafumi in Siena, and Diana Mantuana (Diana Scultori) in Rome. She shows how the occupational origins of early printmakers and publishers affected how they thought about the functions of multiple images. This account of their work -- at powerful courts, in a small republic, and in a cosmopolitan city -- sets the prints in the context of related paintings, sculpture, and architecture, describing a period when printmaking opened up new ways to make a living and transformed the mechanisms of Renaissance visual culture.
Seller | Condition | Comments | Price |
|
ErgodeBooks
Good |
$25.30
|
|
Powell's Books Chicago
New |
$28.12
|
|
Midtown Scholar Bookstore
Very Good |
$45.00
|
|
Bonita
Good
![]() |
$59.11
|
|
GridFreed
New |
$95.27
|
|
Bonita
New
![]() |
$101.17
|
|
Sequitur Books
Like New
![]() |
$140.62
|
