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The Philosophy of the Visual Arts

by Philip Alperson

  • ISBN: 9780195059755
  • ISBN10: 0195059751

The Philosophy of the Visual Arts

by Philip Alperson

  • List Price: $105.95
  • Binding: Paperback
  • Publisher: Oxford Univ Pr
  • Publish date: 03/01/1992
  • ISBN: 9780195059755
  • ISBN10: 0195059751
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Description: I. The Idea of the Visual Arts1. Jerome Stolnitz: The Aesthetic Attitude2. Thomas Munro: On the Nature of the Visual Arts3. George Dickie: The Myth of the Aesthetic Attitude4. Benedetto Croce: Intuition, Technique and the Classification of the Arts5. Gotthold Ephraim Lessing: On the Limits of Painting and PoetryII. Painting and the Pictorial Arts: Form and the Representation of the Visible World6. Plato: A Copy Theory of Representation7. E.H. Gombrich: Truth and the Stereotype: An Illusion Theory of Representation8. Nelson Goodman: Reality Remade: A Denotation Theory of Representation9. Kendall L. Walton: Looking at Pictures and Looking at Things10. Stephanie Ross: Caricature11. Clive Bell: The Aesthetic Hypothesis: Significant Form and Aesthetic: EmotionIII. Painting and the Pictorial Arts: Wider Contexts12. Wassily Kandinsky: Concerning the Spiritual in Art13. Monroe C. Beardsley: SymbolismA. Psychology14. Rudolf Arnheim: Art and Thought15. Sigmund Freud: Leonardo da Vinci and a Memory of His Childhood16. Herbert Read: The Forms of Things Unknown17. Douglas N. Morgan: Psychology and Art Today: A Summary and CritiqueB. Religion18. Etienne Gilson: The Religious Significance of Painting19. Leo Steinberg: The Sexuality of Christ in Renaissance Art and in Modern OblivionC. Politics and Society20. Kenneth Clark: The Naked and the Nude21. John Berger: Ways of Seeing Women22. Why Have There Been No Great Women Artists? Linda NochlinIV. Arts of the Camera23. Andre Bazin: The Ontology of the Photographic Image24. Susan Sontag: In Plato's Cave25. Joel Snyder and Neil Walsh Allen: Photography, Vision, and Representation26. Siegfried Kracauer: A Realist Theory of Film27. Rudolf Arnheim: Film as Art28. Francis Sparshott: Basic Film AestheticsV. Sculpture, Architecture, and Hand-Crafted Objects29. Herbert Read: The Discovery of Space30. Tom Wolfe: The Worship of Art: Notes on the New God31. Horatio Greenough: Form and Function32. Nelson Goodman: How Buildings Mean33. Michael Graves: A Case for Figurative Architecture34. R.G. Collingwood: Art and Craft35. Leon Rosenstein: The Aesthetic of the Antique36. Octavio Paz: Use and ContemplationVI. Modern Developments37. Arnold Berleant: Aesthetics and the Contemporary Arts38. Arthur Danto: The Artworld39. George Dickie: What is Art?: An Institutional Analysis40. Joseph Margolis: The Ontological Peculiarity of Works of Art41. Timothy Binkley: Piece: Contra AestheticsVII. Art History and Museums42. Erwin Panofsky: The History of Art as a Humanistic Discipline43. Jenefer M. Robinson: Style and Significance in Art History and Art Criticism44. Kendall L. Walton: Categories of Art45. Nelson Goodman: Art and AuthenticityThe New Art History: A Symposium46. What is "New" About the "New Art History"? Thomas Dacosta Kaufmann47. Michael Marrinan: Cultural Institutions and the Topography of Art History48. Arthur Danto: Old, New and Not So New Art History49. Francis Sparshott: Showing and Saving, Looking and Learning: An Outsider's View of Art Museums50. Hilde Hein: Exhibits and ArtworksVIII. On the Borders of the Visual Arts51. Francis Sparshott: Why Philosophy Neglects the Dance52. Kathleen Higgins: Sweet Kitsch53. Paul Bouissac: Circus, Clowns and Culture54. Allen Carlson: Appreciation and the Natural Envoirnment55. Donald Crawford: Nature and Art: Some Dialectical Relationships56. Barbara Sandrisser: Rain57. Curt Ducasse: The Art of Personal Beauty58. Oscar Wilde: Life as the Imitation of Art
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