Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid nice copy to enjoy.

Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid nice copy to enjoy.

8vo-over 7¾-9¾" tall. 358pp. Notes. Biblio. Index. Many full-page photos. Size: 8vo-over 7¾-9¾" Tall.

8vo-over 7¾-9¾" tall. 358pp. Notes. Biblio. Index. Many full-page photos. Size: 8vo-over 7¾-9¾" Tall.

8vo-over 7¾-9¾" tall. PHOTOGRAPHY. 358pp. Notes. Biblio. Index. Many photo plates. 8vo.

8vo-over 7¾-9¾" tall. PHOTOGRAPHY. 358pp. Notes. Biblio. Index. Many photo plates. 8vo.

In this first full biography of the enigmatic artist, a leading national

In this first full biography of the enigmatic artist, a leading national authority on Evans brilliantly penetrates the calculated anonymity of his work to reveal the obsessions behind it. A man in love with Americana, Evans was a sensualist, a junk collector, a connoisseur, a wit, a perpetual weekend guest. Charismatic and seductive, he attracted many of the brightest talents of his day. He counted Hart Crane, James Agee, Lincoln Kirstein, Ben Shahn, and Berenice Abbott among his closest friends, and with them he reveled in the intellectual and sexual freedom that distinguished the New York art world during his lifetime. Evans loved nothing better than a good party, and he attended all the best ones in the half-century from the 1920s to the 1970s. A social chameleon, he was as much at ease in bohemian Greenwich Village as in the heady West Side circle that included Robert Penn Warren, Lionel Trilling, and Alfred Kazin. Belinda Rathbone interviewed more than a hundred friends and colleagues of Evans' as well as his two former wives, and combed archives and letters to illuminate his singular vision and the complex personality Evans so carefully withheld from his photographs. The result is a portrait not only of an artist who profoundly influenced the generation of photographers who followed him but also of the artistically fecund times that nurtured him. Walker Evans's haunting images of Southern sharecroppers in Let Us Now Praise Famous Men were as revolutionary in their time as James Agee's text, and are now deeply ingrained in the American consciousness. In the first full biography of this intriguing and enigmatic artist, a leading authority on Evans looks beyond the anonymity of his work to reveal the obsessions behind it. Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector...

In shrink wrap.

In shrink wrap.