Description: Acknowledgements; Introduction: Westerns through History: Janet Walker; Part I Historical Metafiction: the 1990s Western; 1. Generic Subversion as Counterhistory: Mario Van Peebles's Posse: Alexandra Keller; 2. A Tale N/nobody Can Tell: the Return of a Repressed Western History in Jim Jarmusch's Dead Man: Melinda Szaloky; 3. The Burden of History and John Sayles's Lone Star: Tomas F. Sandoval, Jr.; Part II Historiophoty: Buffalo Bill, the Indians, and the Western Biopic; 4. Cowboy Wonderland, History, and Myth: "It ain't all that different than real life": William G. Simon and Louise Spence; 5. Lifelike, Vivid, and Thrilling Pictures: Buffalo Bill's Wild West and Early Cinema: Joy S. Kasson; 6. Buffalo Bill (Himself): History and Memory in the Western Biopic: Corey K. Creekmur; Part III Film History: Widening Horizons; 7. How the West Was Sung: Kathryn Kalinak; 8. Drums Along the L.A. River: Scoring the Indian: Claudia Gorbman; 9. Beyond the Western Frontier: Reappropriations of the "good badman" in France, the French colonies, and contemporary Algeria: Peter J. Bloom; Part IV History through Narrative; 10. Captive Images in the Traumatic Western: The Searchers, Pursued, Once Upon a Time in the West and Lone Star: Janet Walker; Contributors; Index

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