Description: "Shakespeare and Poe might be rolling in their graves, but they're rolling with laughter. Christopher Moore is one of the cleverest, naughtiest writers alive." -- Carl Hiaasen, New York Times bestselling author of a whole bunch of excellent books, including Bad Monkey , Nature Girl , and Sick Puppy on THE SERPENT OF VENICE "Fans who enjoyed the rollicking play within a play of Fool or the historical whimsy of Sacr Bleu will find many of the same gifts here . . . from one of America's most original humorists." -- Kirkus Reviews on THE SERPENT OF VENICE "Fans of Fool will be overjoyed to rejoin Pocket and company . . . for their latest adventure, and newcomers will find that Shakespeare isn't nearly as dry and dusty as they thought, at least not when Moore is at the helm. -- Library Journal (starred review) on THE SERPENT OF VENICE "Moore's imaginative storytelling, bawdy prose, puns aplenty . . . succeed in transforming two classical tragedies into outrageously farcical entertainment." -- Publishers Weekly on THE SERPENT OF VENICE Moore's greatest asset is his skill with language. Readers with a certain Monty Python nerdiness will rejoice in its hundreds of insults . . . and jokes. . . . [W]itty and wise . . . Serpent is a bright, quick novel." (3 out of 4 stars) -- USA Today on THE SERPENT OF VENICE "The dialogue is extremely witty, and . . . you will laugh hard and find yourself hurling bawdy insults throughout the day, even if you don't say them out lout." -- Louisville Courier Journal on THE SERPENT OF VENICE "Moore . . . is an excellent writer, and there are passages of prose--Pocket's defense of Othello and the entire Pound-of-Flesh trial--that sparkle with Moore's trademark wit and intelligence. Moore's strength is his ability to appropriate supporting characters and make them wholly his own creations. -- Dallas Morning News on THE SERPENT OF VENICE "To get a sense of the tone, imagine the merry pranksters of Monty Python in their heyday taking off on Shakespeare while simultaneously trying to break the record for F-bombs currently held by The Wolf of Wall Street. " -- Tampa Bay Times on THE SERPENT OF VENICE "A gleeful and wonderfully strange mash-up. Shakespeare's The Merchant of Venice, and Othello are its chief ingredients, with Edgar Allan Poe's short story 'The Cask of Amontillado' thrown in. The result? An imaginative, wildly inspired satire." -- Seattle Times on THE SERPENT OF VENICE "[Moore] brings back one of his favorite characters, Pocket from 2009's Fool . . . . Add a weirdly satisfying combo of literary in-jokes and low sex gags to the mix and what comes out of the Christopher Moore meat grinder is unique and sublime." -- Fort Worth Star-Telegram on THE SERPENT OF VENICE " The Serpent of Venice is a remarkable reimagining of classic literature, churned through historical backgrounds and research and set to a different drum. Tragedy becomes comedy in this side-splitting, hair-raising adventure. . . . A piece of literary gold." -- Bookreporter.com on THE SERPENT OF VENICE

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