Description: "Testifying to the greatness of an underappreciated work of art is the core purpose of criticism, and Dyer has delivered a loving example that''s executed with as much care and craft as he finds in his subjecthe finds elements along the way that will keep even non- cinéastes onboard. While he dedicates ample energy to how the movie''s deliberate pacing runs contrary to modern cinema, its troubled production and the nuts and bolts of its deceptively simple parts, Dyer''s rich, restless mind draws the reader in with specific, personal details." Los Angeles Times "Dyer's evocation of Stalker is vivid; his reading is acute and sometimes brilliantDyer is giving a performance, and it's another Russian genius who presides over his book, namely Vladimir Nabokov Zona is extremely clever." New York Times Book Review "Walter Benjamin once said that every great work dissolves a genre or founds a new one. But is it only masterpieces that have a monopoly on novelty? What if a writer had written several works that rose to Benjamin's high definition, not all great, perhaps, but so different from one another, so peculiar to their author, and so inimitable that each founded its own, immediately self-dissolving genre? The English writer Geoff Dyer delights in producing books that are unique, like keys. There is nothing anywhere like Dyer's semi-fictional rhapsody about jazz, But Beautiful, or his book about the First World War, The Missing of the Somme, or his autobiographical essay about D. H. Lawrence, Out of Sheer Rage, or his essayistic travelogue, Yoga for People Who Can't Be Bothered to Do it. Dyer's work is so restlessly various that it moves somewhere else before it can gather a family. He combines fiction, autobiography, travel writing, cultural criticism, literary theory, and a kind of comic English whining. The result ought to be a mutant mulch but is almost always a louche and canny delight."-James Wood, The New Yorker "There is no contemporary writer I admire more than Dyer, and in no book of his does he address his animating idea-The Only Way Not to Waste Time Is to Waste It-more overtly, urgently, empathetically and eloquently." David Shields, author of Reality Hunger "A national treasure." Zadie Smith "One of my favorite of all contemporary writers." Alain de Botton "I'd never engaged quite so intensively with a book and a movie at the same timeThough it's only 228 pages long, Zona manages to feel sprawling. Dyer is an enormously seductive writer. He has a wide-ranging intellect, an effortless facility with language, and a keen sense of humorirresistible." Slate "A true original[Dyer] never ceases to surprise, disturb and delight." William Boyd "Few books about film feel like watching a film, but this one does. We sit with Dyer as he writes about Stalker ; he captures its mystery and burnish, he prises it open and gets its glum majesty. As a result of this book, I know the film better, and care about Tarkovsky even more." Mark Cousins, author of The Story of Film "Dyer, blessed with limitless range and a ravishing ability to bend and blend genres, is coming out with a peculiar little book about a 30-year obsessionthe result is an entertaining and enlightening joy." The Millions "A personal meditation on Andrei Tarkovsky's 1979 film Stalker -though, this being a Dyer book, it's about plenty more besidesA digressive but impassioned mash note to a film that defies easy summary." Kirkus "The pleasures of reading Dyer are found in personal asides that connect his ostensible subject to a myriad of tangential subjects... Dyer''s lightly carried erudition leads to an entertaining rumination on a cinematic masterpiece." Shelf Awareness "A pellucid scene-by-scene ramble through Tarkovsky's sci-fi head trip, alive to the film's textures as much as its ideasso addictive. The pleasure of Zona lies in Dyer's method, in its constant sense of discovery, as if he had just stumbled out of a screening and was sharing his thoughts with you after a beer or threea marvel of tactility." MovieMorlocks.com " Dyer's language is at its most efficient in this book, conversational and spareMr. Dyer is our Stalker. He guides us through the film, imbuing each shot with meaning or explaining why, in some instances, their nonmeaning is actually better than meaning Cultural artifacts worthy of this degree of obsession are rare and it's a pleasure to read Mr. Dyer's wrestling with one." New York Observer "Dyer is at his digressive best when stopping to consider something that captures his fancyThe comedy and stoner's straining for meaning is always present. And, when it is rewarded, as it so often is with rich associative memoir and creative criticism in Zona, we feel complicit, we celebrate the sensation at the end of all that straining, alongside with himFor a stalker, or an artist, it is essential to step out of the shadow of your mentor. As a writer, Dyer commits this artistic patricide regularly and more elegantly than most. He does it by writing all the way up to his heroes, documenting his approach to their material, wrestling with them, and leaving this totemic memento at their feet. The mentorship is concluded along with the book and he is free to go off in search of new Rooms, and new Stalkers to take him there." Daily Beast "Dyer's Zona makes an impenetrable film accessible and relateable." New York Magazine "It''s fascinating to see [Dyer] take on this master of stillness, timelessness and heavy self-regard. Consciousnesses collide, overlap, meld-and if nothing else, the book is a mesmerizing mashup of sensibilitiesDyer remains a uniquely relevant voice. In his genre-jumping refusal to be pinned down, he''s an exemplar of our era. And invariably, he leaves you both satiated and hungry to know where he''s going next." NPR.org "Geoff Dyer is at his discursive best in ZONA." -Stephen Heyman, New York Times Magazine "Rich with dramatic nuance but sparse on action, the film moves slowly, methodically, but Dyer breezily free associates and his diversions and frank admissions candied with self-deprecation tunnel into your own thoughts. In doing so, the book transcends being an examination of a film or an established author's confessional, anecdotal indulgenceAgain and again Dyer's caroming thoughts trigger your own associative leaps that take you away from Dyer's text. But it works. What is memorable about this particular reading experience is that even if you've never given a second thought to quicksand, tried LSD, or watched The Wizard of Oz (Dyer hasn't), his read of Stalker permits you to square your life with a film that you may or may not know anything about." The Millions.com "If any film demands book-length explication from a writer of Geoff Dyer''s caliber, it''s surely Stalker Dyer is, as the book amply demonstrates

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