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Gilbert, Creighton. "Michelangelo."In The New Encyclopaedia Britannica (Macropaedia), 15th ed., Volume 24 (NY: Encyclopedia Britannica, 1986) * Freedberg, S.J. "Michelangelo." In Painting in Italy 1500-1600 (Harmondsworth: Penguin Books, 1975) * Hibbard, Howard. "Michelangelo."In Adolf K. Placzek, ed. Macmillan Encyclopedia of Architects Volume 3, (London: Collier/Macmillan, 1982) * Wilde, Johannes. "Michelangelo, Vasari, and Condivi" In Michelangelo: Six Lectures by Johannes Wilde (Oxford: Clarendon Press, 1978) * Tolnay, Charles de. "Michelangelo's Political Opinions."In The Art and Thought of Michelangelo, translated by Nan Buranelli (New York: Pantheon Books, 1964).Early WorksClark, Kenneth "The Young Michelangelo." In J. H. Plumb, ed., Renaissance Profiles (New York: Harper & Row, 1961) * Elam, Caroline. "Lorenzo de'Medici's Sculpture Garden." Mitteilungen des Kunsthistorishen Institute in Florenz36 (1992) * Eisler, Colin. "The Madonna of the Steps: Problems of Date and Style." Stil und Uberlieferung in der Kunst des Abendlandes Vol. 2. Michelangelo (Berlin: Verlag Gebr. Mann, 1967) * Luchs, Alison. "Michelangelo's Bologna Angel: 'Counterfeiting' the Tuscan Duecento?" Burlington Magazine 120 (1976) * Nagel, Alexander. "Michelangelo's London 'Entombment' and the Church of S. Agostino in Rome." Burlington Magazine 136 (1994) * Wind, Edgar. "A Bacchic Mystery by Michelangelo." In Pagan Mysteries of the Renaissance (New Haven: Yale University Press, 1988).Piet * Brandt, Kathleen Weil-Garris. "Michelangelo's Piet for the Capella del Re di Francia." In Il se rendit en Italie: Etudes offertes a Andra Chastel (Paris & Rome: Edizioni dell'Elefante, 1987) * Wallace, William E. "Michelangelo's Rome Piet: Altarpiece of Grave; Memorial?" In Steven Bule, et al., eds. Verrocchio and Late Quatrocento Italian Sculpture (Florence: Casa Editrice 1992).DavidSeymour, Charles. "Homo Magnus et Albus: The Quattrocento Background for Michelangelo's David of 1501-04." In Stil und Uberlieferung in der Kunst des Abendlande. (Berlin: Verlag Gebr. Mann, 1967) * Levine, Saul. "The Location of Michelangelo's David: The Meeting of January 25, 1504." The Art Bulletin56 (1974) * Summers, David. "David's Scowl." In Wendy Stedman Sheard and John T. Paoletti, eds., Collaboration in Italian Renaissance Art (New Haven: Yale University Press, 1978) * Weil-Garris, Kathleen. "On Pedestals: Michelangelo's David, Bandinelli's Hercules and Cacus and the Sculpture of the Piazza della Signoria." Romisches Jahrbuch fur Kunstgeschichte 20 (1983) * Lavin, Irving. "David's Sling and Michelangelo's Bow: A Sign of Freedom." In Past-Present: Essays on Historicism in Art from Donatello to Picasso(Berkeley: University of California Press, 1993).Doni and Tadei TondiD'Ancona, Mirella Levi, "The Doni Madonna by Michelangelo: An Iconographic Study." The Art Bulletin50 (1968) * Smith, Graham. "A Medici Source for Michelangelo's Doni Tondo." Zeitschrift fr Kungstgeschichte 38 (1975) * Hayum, Andr e. "Michelangelo's Doni Tondo: Holy Family and Family Myth." Studies in Iconography7,(1981-82) * Lightbown, R.W. "Michelangelo's Great Tondo: Its Origins and Setting." Apollo 89(1969).Battle of CascinaWilde, Johannes, "The Hall of the Great Council of Florence" Journal of the Warburg and Courtauld Institutes 7 (1944) * Wilde, Johannes, "Michelangelo and Leonardo" Burlington Magazine 95 (1953) * Gould, Cecil, "Michelangelo's Battle of Cascina" ( Charlton Lectures on Art delivered at the University of Newcastle upon Tyne, 1966)
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